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"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide "The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps. The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson "my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum四赌神七十二家房客第十部利刃出鞘2猥琐大不列颠玩命快递人间最得意当我们仰望天空时看见什么？食女2018沙丘（国语版）菲尔来蹭饭第一季旧爱新欢最高利益东京食尸鬼真人版逃离索比堡赤焰战场2相似者美国街头霸王向上看冒险王（原声版）东西两庄新俏郎君美国鸟类像男人一样思考当我们在一起伦敦任务利伯拉梅号-风暴之后 第一季为全人类 第二季宝塔镇河妖之诡墓龙棺那江烟花那江雨绿色柔情戴手铐的旅客爱的甘露辛十四娘山脉公路零距离2004花样滑冰Stars模糊乐队：新世界大厦分水岭棋王和他的儿子末日巡逻队 第四季末日之地哗！英雄粤语
"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide "The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps. The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson "my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum四赌神七十二家房客第十部利刃出鞘2猥琐大不列颠玩命快递人间最得意当我们仰望天空时看见什么？食女2018沙丘（国语版）菲尔来蹭饭第一季旧爱新欢最高利益东京食尸鬼真人版逃离索比堡赤焰战场2相似者美国街头霸王向上看冒险王（原声版）东西两庄新俏郎君美国鸟类像男人一样思考当我们在一起伦敦任务利伯拉梅号-风暴之后 第一季为全人类 第二季宝塔镇河妖之诡墓龙棺那江烟花那江雨绿色柔情戴手铐的旅客爱的甘露辛十四娘山脉公路零距离2004花样滑冰Stars模糊乐队：新世界大厦分水岭棋王和他的儿子末日巡逻队 第四季末日之地哗！英雄粤语
长跪不起……作为小说说不定挺好看的？以及最近philosophy of language学多了，看电影无聊的时候就在想，这里这些人念故事本身是不是另一个narrator? 我们应该怎么看这些narrator？或者他们其实就是fiction里的人？
formats original et de projection : 35 mm, coul., copie issue des collections de la Cinémathèque française
依旧是听演员讲故事“戈达尔还是蛮友好的”
听觉影像彻底的异质性。纷杂的言语慢慢上升，空间悄悄潜入地下
到后面听出来了，本片所选演员的朗诵力度与节奏均不及《他们的约会》也因此听感大相径庭。当然，也可能只是自己的错觉/借口。
让-马里·斯特劳布夫妇的维多里尼三部曲之一，改编自《墨西拿的妇女》，讲的是战后意大利一群男女建立新集体的经过（当然，所有情节都是演员诵读出来的）。维多里尼自称是非马克思主义的共产党员，主张文学创作不能听从党的领导， 而应为解放“人”而斗争。
Mubi.
地形的倾斜动势形成一种向着伫立于此的诵读者的聚集，而诵读这一行为使其中隐秘之物被开放出来。历史的开放不在于“重现”，而在于诵读者使用的正是与历史人物相同的语言。
好像是唯一一次S-H的电影里同时出现了变焦镜头和横摇镜头。因为存在工人和农民两个群体，当一个群体的朗读完毕切换至另一个就zoom out加横摇至另一个，群体内部仍然是福特式剪辑。不得不说，S-H的从福特那里学来的剪辑功力无论从音乐性还是功能性来说都毫不逊色于福特自身。
港真，对比起来说，戈达尔的大部分片都蛮友好的了。Straub–Huillet真是越来越走火入魔，简直是丧心病狂了惹。
决心把已经付了钱的电影票看完后就拉黑斯特罗布呵呵呵呵……
7.3/10。①二战后意大利一群工人/农民男女集中资源经营一集体农庄过程中的各种合作、困境、矛盾。②声音上是各种抑扬顿挫颇具音乐性的念白，画面上要么是各种剧情扮演要么是用法常规但颇有味道的空镜头。③施特劳布夫妇以大量原地不动（有时会肢体运动）的角色表演（以及角色们克制的表演模式）塑造庄严感（正如故事主题的严肃性），以极简的置景和干净简约的摄影美术营造一种更纯粹的情绪感受与精神体验（同质于《词语》），并在这些形式的基础上以较舒适的音响和②所说的念白方式为影像提供最主要的情绪魅力与诗意。④影像上的情绪冲击力不够强（冲击力比《摩西与亚伦》轻）；几段演员明目张胆读稿（稿子在画面内可见）是缺乏影像意义的间离，是败笔。
20/6/24
修复画质124分钟版，可能我的电影欣赏水平太低了吧，看得哈欠连连，不太能接受这种表现形式。
和爸妈一起静静地看完