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Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”陌陌影视陌陌影视樱花影院6080影院芭芭雅嘎：林中恶魔人生没有单行道索尔·古德病态忧郁的猫动物之家超能陆战队埃及艳后洛奇5国语霓裳情挑野探哈莉 第四季柏林之狗爱情初学者生活宇宙战舰提拉米斯 EX保持清醒啪嗒啪嗒森林尽头乌鸦俱乐部第四季以暴制暴海豹突击队 第三季小警风云之寻金记古城童话三个男人故事天赋异禀巅峰食刻中法厨王竞技大赛科学怪人VS木乃伊致命24小时粤语翻开每一页宝莲灯2005
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”陌陌影视陌陌影视樱花影院6080影院芭芭雅嘎：林中恶魔人生没有单行道索尔·古德病态忧郁的猫动物之家超能陆战队埃及艳后洛奇5国语霓裳情挑野探哈莉 第四季柏林之狗爱情初学者生活宇宙战舰提拉米斯 EX保持清醒啪嗒啪嗒森林尽头乌鸦俱乐部第四季以暴制暴海豹突击队 第三季小警风云之寻金记古城童话三个男人故事天赋异禀巅峰食刻中法厨王竞技大赛科学怪人VS木乃伊致命24小时粤语翻开每一页宝莲灯2005