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James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?陌陌影视陌陌影视樱花影院6080影院永恒代码嫉妒是我的力量塞上迷情展翼2美好年华互联社枪神记孤独之旅最终兵器：弓沃尔泰与维拉亚卡戴珊家族第四季妖怪手表：光影之卷之鬼王复活超级大导演之金刚王邪眼2022僵尸高校美丽的错误辣妹梦幻组秘密与谎言守岛人活死人黎明情妇第二季狂暴硬骨头玩伴猫耳娘决胜荒野第三季头号主播背中父亲形象
James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?陌陌影视陌陌影视樱花影院6080影院永恒代码嫉妒是我的力量塞上迷情展翼2美好年华互联社枪神记孤独之旅最终兵器：弓沃尔泰与维拉亚卡戴珊家族第四季妖怪手表：光影之卷之鬼王复活超级大导演之金刚王邪眼2022僵尸高校美丽的错误辣妹梦幻组秘密与谎言守岛人活死人黎明情妇第二季狂暴硬骨头玩伴猫耳娘决胜荒野第三季头号主播背中父亲形象