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This movie is also called "Dust of life" in English and was made by Alex Bouchareb in 1994. In 1975, 3 kids decide to escape a reeducation camp in the Vietnamese equatorial forest near Cambodia where the Amerasians are imprisoned, tortured both mentally and physically. Son, the hero is sent in that camp after her mother fails to find his father to send him away to America. Search the web for the title to find more information. You can find the poster of the movie on cineposters dot com. Kind of reminds me of Papillon or the Killing Fields though maybe a notch down in terms of realization... This movie is based on facts from the after war.April Story梦境守护者心之乐团父女情山子的一家侦探者也追忆篇魅力四射抓马侦探喜剧中心布鲁斯·威利斯吐槽大会如此美丽的小沙滩今天开始做明星之天使情歌特种部队：蛇眼起源如果爱笑笑笑太阳召唤第二季暴风新娘TV版圆梦公司神探磨辘墨西哥绑架丑闻：真戏假做第一季科搜研之女第20季为爱放手2015恶梦侦探2樱花树下的时间胶囊江山美人（粤语）夜盗珍妃墓刘明珠蚀1962再续前世情怒晴湘西巴士奇遇结良缘1978漫游记速度与激情3：东京漂移国语孟买女人回廊亭2022真实身份家庭生活1971宠物岛狂野泰国后宫辣手警花杀手三分半钟我的乡村音乐第一季意想不到的爱情2疯狂婚礼周武侠2011国语星武神诀·动态漫
This movie is also called "Dust of life" in English and was made by Alex Bouchareb in 1994. In 1975, 3 kids decide to escape a reeducation camp in the Vietnamese equatorial forest near Cambodia where the Amerasians are imprisoned, tortured both mentally and physically. Son, the hero is sent in that camp after her mother fails to find his father to send him away to America. Search the web for the title to find more information. You can find the poster of the movie on cineposters dot com. Kind of reminds me of Papillon or the Killing Fields though maybe a notch down in terms of realization... This movie is based on facts from the after war.April Story梦境守护者心之乐团父女情山子的一家侦探者也追忆篇魅力四射抓马侦探喜剧中心布鲁斯·威利斯吐槽大会如此美丽的小沙滩今天开始做明星之天使情歌特种部队：蛇眼起源如果爱笑笑笑太阳召唤第二季暴风新娘TV版圆梦公司神探磨辘墨西哥绑架丑闻：真戏假做第一季科搜研之女第20季为爱放手2015恶梦侦探2樱花树下的时间胶囊江山美人（粤语）夜盗珍妃墓刘明珠蚀1962再续前世情怒晴湘西巴士奇遇结良缘1978漫游记速度与激情3：东京漂移国语孟买女人回廊亭2022真实身份家庭生活1971宠物岛狂野泰国后宫辣手警花杀手三分半钟我的乡村音乐第一季意想不到的爱情2疯狂婚礼周武侠2011国语星武神诀·动态漫
根据Duyen Anh的口述小说改编。波查拉的职业生涯里似乎一直都痴迷于两件事：跨国拍片 & 历史（尤其是法国殖民史）重述。“生命如尘”一词在越南语中特指这些在战争结束后被遗留在越南本土的美亚混血儿童，上世纪七十年代中后期，有近四万名这样的混血后代被遗弃在越南，他们要面临的是身份、信仰、情感、政治上的重新“改造”，本质上，这些孩子和波查拉熟悉的beur没有多大区别。波查拉提供了一个新的历史视点，使已经被拍烂了的越战史重新被打开和阅读。90年代拍摄这样一部跨国电影，难度可想而知，就完成度而言，也确实勉强。“书写”被提到一个核心位置，除了文中被小心翼翼保护的笔记本之外，影像本身也构成一套书写装置，作为后记忆时代下文献和档案之一种。
记录一段历史
跨国导演居然能拍出这么具有越南本土气息的电影。“生命如尘”的生来命运，从另一角度揭开越战的伤疤。电影快节奏的记录，如同男孩所守护的书写。记忆最深的是同伴雕刻的耶稣，特写的手部传递，说“我把他雕的太痛苦伤心了，打算丢掉。”男孩说“基督不会在十字架上笑。”以及被抓后，大喊“down with uncle ho”打倒何大爷。过度的压迫带来的是新一轮反抗与牺牲。问题被不断的加剧。坟头墓碑的啤酒瓶里，一个个名字以及死亡的时间。一个个成为越战尘埃的埋葬，因被拾起书写而被存在。
越南的历史